Country: Canada
Genre: Brutal Death Metal / Technical Death Metal / Melodic Death Metal (mixed gutturals)
Release: June 12, 2026
For fans of: Cryptopsy, Aborted, Archspire
REVIEW | Metal Territory
Miasmic Solitude wastes no time. From the first second of “Conjuring”, Goreworm come in the rawest and most direct way: blast beats, guitars to the max and an aggression that leaves no room for breath. This pattern repeats across many tracks and works as their trademark — they always start with the door kicked down.
The band mixes elements of brutal, technical and melodic death metal in a way that gives character. “Monuments to Murdering” is the most characteristic example: technical playing, clear lines in the composition and a melody that emerges from the chaos. On vocals, Robert Miller uses various guttural techniques, frequently changes tone and gives an unpredictable, almost “live” feel to the tracks.
The record has a steady, unstoppable intensity. The drums move at speeds reminiscent of extreme brutal death, while the guitars often play in higher notes, creating a contrast with the low, aggressive rhythm section. On “Orbweaver” the guitars bring to mind a more melodic, Iron Maiden-like approach, while on “The Enthralling Grave” they seem to “break away” from the rest of the track, giving a more atmospheric dimension.
The only real break comes on “Amor Vincit Omnia”, where the band lowers the intensity for a while — almost ironic, considering the title. Otherwise, the album is a continuous assault, with no pauses and no unnecessary intros.
Miasmic Solitude is a record made for those who want death metal with no brakes. It has technique, it has melody, but above all it has a raw, unstoppable energy that keeps the listener alert from start to finish. A very strong release for lovers of extreme sound.
Tracklist:
- Conjuring
- Monuments to Murdering
- The Enthralling Grave
- Orbweaver
- Amor Vincit Omnia
- No Reprieve
- Eve of Flagellation
- Jarrell
- Strelly
- Miasmic Solitude
